On the River (Drifts a Wasp that (but) Only Sleeps)
In his first solo exhibition, Misha Stroj, will present… a thread between the elements of text/image/object and claims to have solved the problem. In his latest work he goes back to the beginning.
moma. the museum of the mechanical age. 119 problems
there will be no more! note the double move: the singularity of the experiences includes but cannot escape their shared goal: the “collected works” (oeuvre) will definitively be the sum of a life spent.
Mezzogiorno / Land Without Shadows
Oh the beautiful days, on which there were abstractions and concepts those who saved our lives. We look pale today. so that is from where to start.
To Wait (1)
Occasions to wait were given by all those trains that have been arriving within 24 hours from the far West. The attention was given, prior to a ritualized welcoming of the trains, to nothing but the waiting itself.
The Column With The Knee (Self)
Two disposable objects meet and seem fit to mark the place on which the artist used to act: a column found in a factory in Berlin, the body of the One asked to shape the industrial ruin’s future.
The Weird Case/Fall Offenberger
From a series of found objects left by some „Ready Made Artists“ (avant la lettre). „The image of the intact body can only spring from an imagination that is able to swell into complex and cosmological models.“
Nearby a: Body
Stroj began an extensive investigation and entered into correspondence with the individual laboratories to initiate a dialogue on the fields of research that served as the basis for the development of the relief. This process, as an experimental arrangement for the approximation of science and art…
The Crown Of Affinities
And then…we shared a vision. What if the bridge would not connect from here to there but would transform into a form of circulation? How would we connect. And see.
As if I Was what I Am Doing
Then, as indicated above, there is something like an actual constellation of thoughts, moods and needs – the source of those is more than evident: it can only be the encounter with the work, if not person, of Alisson.
Misha Stroj, Signature
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