Sturz knapp vor dem Ziel! (Fall, shortly before the finishing Line!) / 1959/2003 / Cprint on cardboard / 30,5 x 75 cm
A heap of misery? A real document: The picture of the fall of a skater, Franz Offenberger, just before almost becoming the european champion of 1959. It is believed that the unrecognizability of his self, in this unforgettable and painful moment, was to be processed. If symbolic victories are conceivable, one will also have to speak of symbolic contentment. The image of the intact body can only spring from an imagination that is able to swell into complex and cosmological models. Integrity and boundaries of the body are prostheses and pragmatic foreshortening. The customary repression of the sensation of monstrous strangers within our tissue is probably in accordance with a technical dullness.
Offenberger 1 (1, down) / 1961/2003 / plaster, wire mesh, wood, skid / 53 x 230 x 106 cm
Surprising is the selfevident handling of the language and ideas of space and time, as well as consciousness. The attempt to master the shock of seeing where there is nothing to see (below), is proof that Offenberger was able to leap over the shadows of his pursuers as if the shadows of his own self. The assumption is close, the skater Offenberger tried to live up to the image of himself, in the moment of defeat. A faithful translation of the depiction, in conjunction with the idea of the maximum tolerable stretch of memory of the sliding fall over the ice, will probably have produced the object shown on top. After all, the visible extremities are likely to pass as a complete index relative to the skater. Similarity can not be denied, the face is lost. The promised satisfaction with this type of mimicry is doubted. How far affect are to be considered, thought and felt collectively…will have to be in the center of future rehearsals.
Offenberger 2 (32, up) / 1978/2003 / wood, iron, paint, papermaché, wire mesh, skid, thread / diam. 222 cm / Show: am fluß (treibt eine wespe die schläft aber bloß) (On the River (floats a Wasp but only Sleeps)) / 05.05. 27.06.2003 / Kerstin Engholm Galerie, Vienna