In his first solo exhibition, Misha Stroj, will present… a thread between the elements of text/image/object and claims to have solved the problem. In his latest work he goes back to the beginning.

there will be no more! note the double move: the singularity of the experiences includes but cannot escape their shared goal: the “collected works” (oeuvre) will definitively be the sum of a life spent.

Oh the beautiful days, on which there were abstractions and concepts -those who saved our lives. We look pale today. So that is from where to start.

Occasions to wait were given by all those trains that have been arriving within 24 hours from the far West. The attention was given, prior to a ritualized welcoming of the trains, to nothing but the waiting itself.

Two disposable objects meet and seem fit to mark the place on which the artist used to act: a column found in a factory in Berlin, the body of the One asked to shape the industrial ruin’s future.

From a series of found objects left by some „Ready Made Artists“ (avant la lettre). „The image of the intact body can only spring from an imagination that is able to swell into complex and cosmological models.“

Stroj began an extensive investigation and entered into correspondence with the individual laboratories to initiate a dialogue on the fields of research that served as the basis for the development of the relief. This process, as an experimental arrangement for the approximation of science and art…

And then…we shared a vision. What if the bridge would not connect from here to there but would transform into a form of circulation? How would we connect. And see.

Then, as indicated above, there is something like an actual constellation of thoughts, moods and needs – the source of those is more than evident: it can only be the encounter with the work, if not person, of Alisson.

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